Showing posts with label transracial adoption. Show all posts
Showing posts with label transracial adoption. Show all posts

Adoptive Mom and Sociologist Barbara Katz Rothman Visits Pittsburgh: Hair, Race, and Adoption

Recently in Pittsburgh I met Barbara Katz Rothman, sociology professor at CUNY and author of Weaving a Family: Untangling Race and Adoption. Her book is part personal story part sociological study of transracial adoption. She and her husband adopted their African American daughter as an infant.

I had the opportunity to hang out briefly with Barbara one-on-one. Our first interaction happened via e-mail, as I told her I'd be picking her up from the airport.

Me: "My hair will help you recognize me [in the airport]--it's big and curly."

Barbara: "and my hair will help you -- it's grey with a purple streak."




Sure was. She said she dyed it for fun with her daughter years back, then she became fascinated with folks' reactions of shock and wonderment and kept it. "Women with gray hair aren't expected to celebrate it," she said.

True. Rather, it seems to me, they are to pretend there's no gray by dyeing their hair some "fake natural" color. Because women aren't supposed to age, right?

Sponsored by the Pittsburgh Consortium for Adoption Studies, Barbara gave a talk called "What White Adoptive Parents of African American Children Should Know." She also discussed her work at a luncheon in Pitt's Social Work Department, where she revealed some particularly interesting insights about adoption, race, and hair.

She hates how the photo on the cover of her book--depicting a White mother's hands braiding a Black daughter's hair--shows sloppy braiding technique.



"That's not me and and my daughter!" she declared at both events. "I would've had that part straight!"

Following this comment at the luncheon came a discussion about hair, the stereotype of the White mom and her mixed or Black child wearing a wild head of kinky hair.

It's not simply ignorance, Barbara pointed out. Letting the hair be its "big beautiful self" is a well-meaning sentiment from White mothers but the problem is they don't have the historical context to know what that really means. It's one story when an African American woman walks around with her Afro'd child but an entirely different story when a White woman does it. She said she was certain to groom that hair and groom it right because she knew the significance of what she was doing.

I sat quietly during the conversation. One part of me glad that this time I didn't have to be the one to bring it up or the one people think is crazy for making so much out of hair. (I always feel this comfort around African Americans, particularly in the salon.) Perhaps another part of me felt vindicated for my own hair experience. Yet another part of me--the core--was sad that this is still an issue.

One of the soc. professors said that in the field it remains a source of anguish that Black kids are being fostered in White homes. One prof said it was a form of cultural genocide, implying that hair could be a marker of this.

"Genocide" is a strong word. Not sure if I agree. But another word often comes to mind when I think of adoption--especially considering the high rates of cross-race adoption and economic circumstances that typically cause relinquishment in the first place: Colonization. Because, like Barbara went on to point out, adoption always happens from a position of power. Homeless people don't adopt. I've wondered if it's possible to adopt without that colonizing power dynamic. I might-possibly-maybe want to adopt one day, but this troubles me. I don't want to colonize.

But then...really what can you do? Leave the child in foster care because you don't want to participate in that model? Adopt the mother too? This is something Barbara said she'd questioned herself about: "If I'd given the money I spent on my kid to her mother, could I have kept a family intact?" Impossible to answer.

Impossible. Many questions about these subjects elicit this word, as socially constructed issues like race and systemic issues like adoption are nearly impossible to change on an individual level.

Luckily, hair is not. 

Adoptees Getting Published: Other Tongues Anthology


Normally I don't like to toot my own horn (probably 'cause there's not much to toot), but, along with transracial adoptee Lisa Marie Rollins, a piece of my writing is published in a new anthology called Other Tongues: Mixed Race Women Speak Out. Mine's a wee essay about appearance and how the "mixed" look is commodified in advertising and other ways. Mostly my observations and personal experiences which are naturally wrapped up in discussions of hair and adoption. Some awesome writers whom I adore are in this anthology, such as the famous poet Natasha Tretheway. Which is really why you should buy this book.

The editors have sponsored a few release parties, mostly in Canada. Hopefully there will be more stateside readings and launches, and I'll post updates here so you can come and listen, cheer, laugh, weep and support the celebration and contemplation of mixedness.  

Panel on Adoption Writing at National Writing Conference

Last week I attended the Association of Writers and Writing Programs Conference in DC, and was surprised to find a panel on writing about adoption. Normally I only see those discussions at adoption-specific conferences, so it had me wondering if adoption writing is becoming more mainstream. The panel was called "Finding Identity in Cultural Margins: A Reading and Discussion on Transracial Adoption" and featured Korean-American poets Dana Collins, Jennifer Kwon Dobbs, and Lee Herrick. (Two AA memoirists were scheduled to participate but couldn't make it due to weather.)

Dobbs read from her book Paper Pavilion, containing poems written before and after she visited Korea. Dana Collins read poems about connecting with her family abroad, specifically a sister. The essence of poetry, of course, lies not in what it's about but rather in its words, the images it conjures, the emotion it renders. Dobbs poetry to me is like a breath. It is ethereal, imaginative, stern. She dreams about pulling back a curtain and seeing her own conception. Collins poetry describes contrast and bright colors--it is a painting, a bright red cherry atop a white cupcake.

Why are so many adoptees drawn to write? The writers explained that "For transracial adoptees, separation from biological lineage leads to searching for what defines family and home." Keyword: search. To write is to search. To search for answers, to make real an experience of unremembered separation. In many ways we are blocked from searching for our families, due to sealed records, rules/regulations, or even our own emotions. But nothing can block someone from searching on the page for answers, for an image to rest against when you can't find your mother's arms. 

Sesame Street I Love My Hair

"Don't need a trip to the beauty shop, 'cause I love what I've got on top...I love my hair, I love my hair," sings the new little Muppet girl.

White adoptive father of an African-born girl and Sesame Street writer Joey Mazzarino co-created this song and character in response to his daughter who one day declared: "I want my hair long and blond like Barbie or a princess." (AP)



The Youtube video quickly gained more than a million hits.

Mazzarino didn't realize that by exploring this he was entering into a long history of discussion and debate about AA women's hair.

I too have a Dad who didn't understand why his little curly headed girl cried for long, straight blond hair. In fact, I first heard about this story from my father, who got choked up reading an article about it. That darn blond beauty standard is so embedded! Hard to pinpoint where or how it enters the conscience. It has a lot to do with images, advertisements, television, etc., I think. (I've written an essay on this very topic, which will be published in an anthology called Other Tongues later this year.)

As always happens, viewer comments on the video and others produced in response are filled with fightin words. People get very defensive about hair. Girls who relax their hair do not like to be accused of trying to be White, of being mired in a slavery past. It's just hair, they say, and they've got a point. At the same time though, I think it's important to confront it and provide positive images of Black women with natural hair, especially for adopted Black girls who won't see reflections of themselves in their parents or perhaps even in their surrounding community.

Kudos to this proactive dad!

Lorrie Moore's novel A Gate at the Stairs

Lorrie Moore's most recent novel has an adoption theme. It's not necessarily the main theme but rather is presented as a synecdoche of the whole story. The main character is Tassie Keltjin, a Midwestern country girl newly arrived at college, who embraces learning, literature, and intellectual snobbery while navigating that push-and-pull relationship with her roots and shifting identity typical of her age. When she takes a job as a nanny for a 40-something white couple who are adopting a biracial baby girl, she's given a new identity to try on as well as an outsider-yet-insider vantage point on the adoption.

Tassie accompanies the adoptive mom to meetings with social workers, a foster family, and a birth mother (note: this would never happen in real life!), observing the complex gains and losses of the situation. She seems to be the only one who sees the birth mother's pain. Tessie cares for the baby every day, takes her shopping and on walks in the park, gets the questioning looks from strangers wondering what a white chick is doing toting around a brown baby. She feels wounded when someone yells "nigger!" at the child. She babysits while eavesdropping on the a-mom's discussions with the few people of color in town about raising brown children in a white world.

A lot of things in this story rang true for me. A car keeps driving by the house. Tessie notices the a-mom's fear about it is not fear of the racists she thinks herself so vehemently opposed to but rather "the gone-missing birth father...she imagined it might be he who was driving past, having somehow found out Mary-Emma's new address." Fear of the birth parent returning, and in this case an even scarier prospect: the black male birth parent. Moore brilliantly describes that sort of silent, bubbling prejudice against difference (an adopted kid, a biracial kid) that can exist in the rural Midwest. It's the kind that everybody knows about but nobody talks about. The kind that, "like mold, grows in secret, dark places."

Overall, I think Moore deals with the adoption in a nuanced way, creating believable characters that are all deeply flawed but doing their best. That is often the conclusion I come to in adoption stories--it's full of fathers and mothers and children who are flawed and hurting but doing their best in a situation of loss.

The little adopted girl grieves her losses and bonds with the new people around her, though it is not without complications. Her life is shifting and changing constantly, much like the life of her country bumpkin nanny whose world is expanding at lightening speed.

From a literary standpoint, there are, of course, shortcomings--some events were device-y and had a tagged-on feeling, and the ending seemed rushed--but Moore gained so many points with the adoption stuff and her beautiful language that I still give it a thumbs-up, especially for people interested in adoption or Midwest culture.

Program to Keep Ethiopian Adoptees in their Home Country Instead of Overseas



Ethiopia is becoming the nation of choice for international adoptions. Part of the reason is that they've had fairly lenient rules about the adoption process, and therefore adopters can get kids quicker. Another reason is that they have an overwhelming number of orphans (something like 5 million).

Well, here's some good news: The Ethiopian government, faith-based U.S. charity the Buckner Foundation, and Ethiopia's Bright Hope Church are teaming up on an experimental project to help orphans thrive in their home countries rather than be put up for adoption overseas. It's a program that provides two meals per day + education to hundreds of Bantu orphans. Read about it here. (Thanks to Lisa Marie for the link.)

I'm a bit surprised about the Buckner Foundation, as they seem to support international adoption and provide transnational adoption services. Perhaps this is a new experiment for them--we need to let them know it's a good thing!

It's encouraging to see the growth of a program like this that recognizes the importance of a child staying close to his/her home culture and family if at all possible, making international adoption a last resort. (The usual disclaimer: That's not to say international adoption is always "bad," or that many kids have benefited from it, but we know that cross-culture/cross-race adoptions must be treated with care. We have to consider what will be most beneficial and least traumatic for the kid.) A program like this will have a lasting positive impact on Ethiopia and its economy and its working population, moreso than a temporary fix of permanently sending the kids abroad.

The Cost of Speaking Out

Several happenings today had me thinking about the cost of speaking up, speaking out against touchy subjects such as race and adoption. Society likes to see things in binaries--right/wrong, black/white.

Take adoption, for example, especially transracial. The rhetoric of adoption in the media is often one of praise for and celebration with adoptive parents. We don't like to consider, for example, the sadness behind Sandra Bullock's adoption of a Black American child. We want to celebrate with her, call her a hero. I get that. Smiles are easier and more fun than sad faces. And I'm not knocking Bullock for her decision to adopt--there are many things about this situation that make it "better than" other situations (in some ways it might be less disruptive as taking a child from a foreign country, and it's true that a forever family is a better choice than forever foster care). But it doesn't take away from the fact that her adoption reflects a lot of things that are wrong with our society. Why there are so many minority children in foster care in the first place, how our society values Black motherhood. Racism. It's there, folks. We're still working on it. And a child that is torn from its natural parents is sad, okay? That sadness doesn't have to take away from the joy of an adoptive family, but it needs to be there. We need to make space for it.

Whitney Teal, in her article Sandra Bullock, Transracial Adoption, and the Worship of White Motherhood, dared to be critical of media and society's viewpoint of adoption, mentioning Sandra Bullock's adoption as an example of wider issues. Oh the backlash! People got defensive, said Teal was borrowing trouble, making a mountain out of a molehill. One commenter said:

"This as just another issue to pull the race card out for yet another unnecessary debate. Racism would more than likely not be such an issue IF Racism wasn't made Into an Issue at any and every scenario."

In other words, shut up/quit bitching about racism because you are the one making it exist in the first place.

Another: "[this article] pissed me off. It comes off like a speech subtly AGAINST interracial adoptions, which just sounds racist in itself. It also comes off like the author is demonizing Bullock for having the audacity to adopt an African-American baby."

Teal responded to commenters, trying to explain that she was NOT being personal but was angry at the circumstances that bring black children into the child welfare system and about how whiteness is valued above other races in our society.

It sucks to talk about this stuff. It sucks to realize your own privilege, or to feel like you're being attacked because you are part of the dominant group. I know how it feels to be viewed negatively because of your race--I've had it on both sides. That's why it's so important to have compassion when talking about these things. But we still need to talk about them.

Almost every time I post about adoption, pushing against the mainstream viewpoint, I get at least one angry comment from a reader accusing me of being harsh or ungrateful or ignorant. Most of the time I view these as, to use Obama's rhetoric, "teachable moments." And opportunities to articulate my stances even better. But sometimes constantly defending your viewpoints is just exhausting...It's exhausting to try to prove to someone who says racism doesn't exist is wrong. It's exhausting to explain why seeing a White family adopt a Black child is complicated (not bad necessarily, but complicated.) It's exhausting to constantly explain why there should be full access to birth certificates for adoptees.

Especially when it happens with someone close to you, as happened to me today. Someone whom I'm close to, who is smart and whom I respect tremendously (and who is a person of color). It made me tired. And sad. To think that I don't explain my views well enough, day-to-day. To recognize how much of an outlier I really am sometimes.

I start to wonder, am a really just making mountains out of molehills?

Today I interviewed a professor at Pitt, who has organized artists and is curating an exhibit on Cuban racism at the Mattress Factory Museum called Queloides (keloids, which refer to scars--literal and metaphorical).


Apparently racism has increased tenfold since the collapse of socialist economy in the 90s, and artists have been using visual art as a means of speaking out. The exhibit first ran in Cuba earlier this year. Almost immediately after the exhibit opened, the professor was banned from his native Cuba. He's gotten plenty of other criticism too, for speaking out. People have said these issues don't exist. They tell him to shut up.

But he won't.

I suppose that means I shouldn't, either.

Color Blind: A Memoir by Precious Williams

It's a new memoir about an African girl growing up the fostercare system in Britian.

My friend and fellow adoption advocate Kate interviews the author on her blog, where she dispels the notion that Britian is "racism-free." (I hate when people from other countries say to me "America has such issues with race--we don't have that" Please!) She articulates the connection between colonialism and transracial adoption:
"In Britain we tend to pride ourselves on being happily multicultural – I think my books asks some questions about whether that is really true. Trans-racial fostering and colonialism are closely intertwined. Many of the African parents who felt giving their children to white strangers would ensure the child had an advantage absorbed this idea while growing up under colonial rule themselves, back in Africa."
Check out the full interview here. 

RUN, a Transracial-Adoption-Themed Novel

Run by Ann Patchett

Two Black brothers, Tip and Teddy, are adopted by Boston's White mayor Bernard Doyle twenty years ago. The adoptive mother dies four years later, and for much of their lives the boys are grieving the loss of this red-haired woman, perhaps more than thinking about their biological mother who had surrendered them before that.

Then one wintery night, an accident and chance encounter with a woman who has secretly been part of their entire lives makes them consider their adoption in a new way.

Overall I found this tale deftly written, with plot twists and surprises that made it nearly impossible for me to put it down. Of course, I read very carefully to see how the race-adoption themes were dealt with by this White author who may or may not have a personal connection with adoption (I couldn't find much in initial research).

I was pleased to see that Patchett writes a refreshingly nuanced view of adoption and race, without--as Mixed Race America author points out here--dwelling on either topic heavy-handedly. Readers get a clear sense of Tip and Teddy's characters, and see that they are aware of how adoption and race play into their lives but yet do not feel defined by them. Sure, one could say that maybe Patchett didn't go deeply enough into all the issues, but there were those moments that reminded me that she knew what she was doing. When discussing whether to bring home the girl whose mother had gotten into an accident, Doyle says, "I don't think they'd let us walk out of [the hospital] with a random little girl." Tip replies, "Not a random little white girl, but a random little black girl? I don't think anyone's going to stop us at the door."

I like the uniqueness of this story as it is centered on male perspectives. As I've discussed numerous times, the adoption world--academic writings, memoirs, social work, support groups, conferences--is overwhelmingly populated, at least visibly, with women. Here it's an adoptive father who is shocked and protective when considering the possibility of a birth mother suddenly showing up. Here are two adopted sons, who react very differently to their adoption and the emotions surrounding their abandonment.

Teddy discusses wonderment about their mother.

"I'm not interested," Tip replies.

The birth mother is given a large presence in the novel, though her voice is one that only readers hear--the other characters don't. For that, it is sad, and maybe left something to be desired--I haven't decided yet. It's something all too common with adoption: those many things left unsaid, misunderstood.

I don't intend this blog post to be a complete spoiler, so I'll stop here. But for those interested in adoption, or even those who just love a good book with socially relevant themes and lyrical language, I highly recommend reading Run. 

Adoption Discussion on CNN (sparked by Sandra Bullock's recent adoption)

Fellow adoption activist and transracial adoptee (+overall awesome woman) Lisa Marie Rollins was featured on a discussion about transracial adoption and "why it's controversial."
Don Lemon begins the show asking this question, in light of the sometimes non-positive reactions people are having to celebrity Sandra Bullock's recent adoption of a Black American child. He obviously finds those reactions surprising, thinks it's odd that people aren't simply praising Sandra for "saving" the Black child from a lifetime of foster care.

It's amazing to me the profound ignorance of so many people in the mainstream about these issues. It shows how much adoption is shown from only one side, that so often we fail to recognize the powerful forces behind why those kids are in foster care in the first place, and also fail to validate any feelings from an adoptee that are not "grateful."




In her blog post about the show, Lisa points out that CNN was confusing transracial adoption with two white parents with mixed-race bio kids with mixed parentage. Big difference. However, you can still see Ms. Walsh's exoticizing of her mixed kids, saying that they were a "welcome racial curiosity" in their white communities.

Overall, I'm proud of CNN for giving voice to a transracial adoptee--it happens so rarely! And I'm proud of Lisa for being so eloquent and saying what needed to be said!
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